Three essays express some fundamental issues addressed by ORCiMs research group focusing on the musicians relation to notation.
Paulo de Assis argues that critical editions should generate critical users; Mieko Kanno contemplates the rapid expansion of the use of electronics in contemporary music.
Juan Parra Cancino points toward a kind of composition whereby the performing and the listening experience dont aim to achieve a final version of the piece.
Series: Orpheus Research Centre in Music Series (Book 3)
Paperback: 48 pages Publisher: Leuven University Press; 1 edition (August 15, 2010) Language: English ISBN-10: 9490389021 ISBN-13: 978-9490389024 Shipping Weight: 5.6 ounces ()